Chinua Achebe, the Nigerian novelist seen by millions as the father of African literature, has died at the age of 82.
African papers were reporting his death following an illness and hospital stay in Boston
this morning, and both his agent and his publisher later confirmed the
news to the Guardian.Simon Winder, publishing director at Penguin,
called him an "utterly remarkable man".
"Chinua Achebe is the greatest of African writers and we are all desolate to hear of his death," he said.
A novelist, poet and essayist, Achebe was perhaps best known for his 1958 novel Things Fall Apart,
the story of the Igbo warrior Okonkwo and the colonial era, which has
sold more than 10m copies around the world and has been published in 50
languages. Achebe depicts an Igbo village as the white men arrive at the
end of the 19th century, taking its title from the WB Yeats poem, which continues: "Things fall apart; the centre cannot hold."
"The white man is very
clever. He came quietly and peaceably with his religion. We were amused
at his foolishness and allowed him to stay. Now he has won our brothers
and our clan can no longer act like one," says Okonkwo's friend,
Obierika, in the novel.
Achebe won the
Commonwealth poetry prize for his collection Christmas in Biafra, was a
finalist for the 1987 Booker prize for his novel Anthills of the Savannah,
and in 2007 won the Man Booker international prize. Chair of the judges
on that occasion, Elaine Showalter, said he had "inaugurated the modern
African novel", while her fellow judge, the South African Nobel
laureate Nadine Gordimer, said his fiction
was "an original synthesis of the psychological novel, the Joycean
stream of consciousness, the postmodern breaking of sequence", and that
Achebe was "a joy and an illumination to read".
Nelson Mandela, meanwhile, has said that Achebe "brought Africa to the rest of the world" and called him "the writer in whose company the prison walls came down".
The author is also known
for the influential essay An Image of Africa: Racism in Conrad's Heart
of Darkness (1975), a hard-hitting critique of Conrad in which he says
the author turned the African continent into "a metaphysical battlefield
devoid of all recognisable humanity, into which the wandering European
enters at his peril", asking: "Can nobody see the preposterous and
perverse arrogance in thus reducing Africa to the role of props for the
break-up of one petty European mind?"According to Brown University, where Achebe held the position of David and Marianna Fisher university professor and professor of Africana studies until his death, this essay "is recognised as one of the most generative interventions on Conrad; and one that opened the social study of literary texts, particularly the impact of power relations on 20th-century literary imagination".
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